Once you choose hope, anything's possible
Working with somebody who has a more interesting life than I do - and getting to take on that life temporarily - is an endlessly interesting way to have the experience of writing memoir.
No one grows up thinking they want to be a ghostwriter. No one plans on that job.
I'm so used to being separate from the publication process. I turn in the book to the editor and then I'm done.
I don't think you can take a whole genre of very popular books and say, "This is all trash!" When we read a memoir that isn't by a celebrity, we feel like we're about to go on a journey and we don't know where the journey will lead. But when we read a memoir by a celebrity we feel like we already know the journey and we just want to travel it.
I think that the celebrity memoir as a genre is looked upon as a lesser form. One of my missions as a ghostwriter has been to elevate that form. Maybe that sounds pretentious!
I think one of the big things that's come out of ghostwriting for me is real compassion for the complexity of fame.
Most of the software I sell runs on mainframes and supercomputers, and is used by multinational corporations and governments. You may not get to see that, but if I have done it properly, hopefully it will make the events in your life transpire more smoothly.
Do one small thing immediately - often this is all you need to do to get started.
When a woman forsakes her vulnerability because she's been hurt or because she lives in a dangerous world or doesn't want to be used, she loses something essential about being a woman.
Skibbereen have a hard time at [math]; the best that the smartest of them can do with adding two plus two is guessing: three plus one. Correct, sort of, but not always useful.