The ethos and critique are of poetry, which becomes a rich dark with a phosphorescence of lyric as witness.
We have developed this unbelievable ability to deny. We have to. If we didn't, we'd go crazy.
Science has been effective at furthering our understanding of nature because the scientific ethos is based on three key principles: (1) follow the evidence wherever it leads; (2) if one has a theory, one needs to be willing to try to prove it wrong as much as one tries to prove that it is right; (3) the ultimate arbiter of truth is experiment, not the comfort one derives from one's a priori beliefs, nor the beauty or elegance one ascribes to one's theoretical models.
Vivienne Westwood really inspires me. I love her punk ethos.
What it really is and what I now have experienced is that, people who take enormous pride in what they're doing - not in their person - that their work ethos is as high as nowhere else. That they love their jobs, they love to do their jobs properly as best they can. And coupled with the financial umph, you know, you get decent results.
Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Las Vegas is the therapeutic ethos of our time run amok, our socio-psychological promise to ourselves to be eternally young writ large on the landscape of aging self-indulgence.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
Hold firmly that our faith is identical with that of the ancients. Deny this, and you dissolve the unity of the Church.
I think he likes it. He fits in with our ethos. He's a good worker and is an excellent pro. Thank goodness he likes his training or else he wouldn't settle here.
The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.
There is a lot of sixties-bashing going on these days that I don't agree with at all. I feel that extremely important ideals were brought to the forefront of the collective consciousness at that time. Granted, drug use was so pervasive that our generation did not as a group have the capacity to manifest our ideals to any great extent. But many of the people who were young in the sixties and who were most touched by that collective ethos are still touched.
Current ethos in Silicon Valley is that if you build a website that people keep coming back to and is changing the lives of millions, you can eventually make money.
No one who is at all acquainted with the Indian in his home can deny that we are a polite people.
The ethos of redemption is realied in self-mastery, by means of temperance, that is, continence of desires.
Fear stimulates us to take action and can be our friend, but if you act as though fear is not there-if you deny it-it will build and create barriers.
Such techniques, including meta-discursive stuff, self-reference, irony, black humor, cynicism, grotesquerie and shock, it would be safe to say that television or televisual values rule the culture. Television is successfully using a lot of those same techniques but using them for a very different agenda, which is to sort of create an ethos and please people and to sell products to consumers.
As you age naturally, your family shows more and more on your face. If you deny that, you deny your heritage.
It is reality that awakens possibilities, and nothing would be more perverse than to deny it.
To deny the freedom of the will is to make morality impossible.