Surely the stars are images of love.
We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
If anything, Calvin Klein is the iconic company in terms of fashion. They do have iconic images for their campaigns.
There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.
The young watch television twenty-four hours a day, they don't read and they rarely listen. This incessant bombardment of images has developed a hypertrophied eye condition that's turning them into a race of mutants. They should pass a law for a total reeducation of the young, making children visit the Galleria Borghese on a daily basis.
If. . . deceit is fundamental to animal communication, then there must be strong selection to spot deception and this ought, in turn, to select for a degree of self-deception, rendering some facts and motives unconscious so as not to betray - by the subtle signs of self-knowledge - the deception being practiced. ' Thus, 'the conventional view that natural selection favors nervous systems which produce ever more accurate images of the world must be a very naive view of mental evolution.
It began in images and it ended in symbolism.
As photojournalists, we supply information to a world that is overwhelmed with preoccupations and full of people who need the company of images. . . . We pass judgement on what we see, and this involves an enormous responsibility.
Numerals are images of amounts. But the amounts they represent are real.
Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it's music, not words, that provides power.
Disappointment, when it involves neither shame nor loss, is as good as success; for it supplies as many images to the mind, and as many topics to the tongue.
External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
A novel is never anything but a philosophy expressed in images. And in a good novel the philosophy has disappeared into the images.
Both within the family and without, our sisters hold up our mirrors: our images of who we are and of who we can dare to become.
Until we question our stressful thoughts, we remain victims of the images in our head.
We don't have a language for the senses. Feelings are images, sensations are like musical sounds.
It's been an adventure just getting out to Saturn,. . Saturn is such an alluring photographic target. It's a joy, really, to be able to take our images and composite them in an artful way, which is one of my cardinal working goals. It's about poetry and beauty and science all mixed together.
What good are images if people understand them?
I never find words right away. Poems for me always begin with images and rhythms, shapes, feelings, forms, dances in the back of my mind.