I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
I look at a photograph. What's going on? What's happening, photographically? If it's interesting, I try to understand why.
The emphasis in doing any in-depth photography is on building relationships, quality relationships. It's what I call thirty-cups-of-coffee-a-frame photography. You need to enter into the community - not just photographically, but intellectually and emotionally.
I think there's some stuff that's at least photographically interesting. There are things I back off from trying to talk about.