Rex Taylor Reed (born October 2, 1938) is an American film critic and former co-host of the syndicated television show At the Movies. He writes the column "On the Town with Rex Reed" for The New York Observer.
In a musically imperfect world, there is still perfection in the voice of Barbara Cook. For anyone eulogizing the historic scores of a long-lost era of Broadway greatness, not to worry. Somebody is still singing them with purity and passion. She is Barbara Cook, and she sings them for the angels to applaud.
In Hollywood, if you don't have happiness you send out for it.
A wise, joyous bookit unfolds the knowledge and the beauty of the two lives it embraces-old wisdom and young discover, intertwining like vines.
Just living in Los Angeles guarantees the loss of a few I. Q. points each year.
Most of the time he [Marlon Brando] sounds like he has a mouth full of toilet paper.
Melissa McCarthy (Bridesmaids) is a gimmick comedian who has devoted her short career to being obese and obnoxious with equal success.
Packs a Huge Emotional Punch! Graceful Writing, Great Acting, Exquisite Direction, Suspense, Profound Subject Matter and It Rocks!
The result is a twitching convulsion of vicious drivel passing itself off as a movie, which can be best appreciated by the kind of people who dig Showgirls, the Saw franchise and Spike Jonze-Charlie Kaufman flicks.
F For Fake is a talentless concoction of unparalleled ineptitude. . . It would have been a more generous gesture to show a retrospective of old Welles films rather than remind everyone of how low his ability as a filmmaker has plummeted.
In the numbing hands of pretentious filmmakers Joel and Ethan Coen, history does not repeat itself in any way whatsoever.