The mystery of light [and] the enigma of time form the twin pivots around which all my work revolves. In addition. . . my work attempts to create a mythology for our contemporary world.
In Hollywood, if you don't have happiness you send out for it.
Just living in Los Angeles guarantees the loss of a few I. Q. points each year.
The result is a twitching convulsion of vicious drivel passing itself off as a movie, which can be best appreciated by the kind of people who dig Showgirls, the Saw franchise and Spike Jonze-Charlie Kaufman flicks.
Packs a Huge Emotional Punch! Graceful Writing, Great Acting, Exquisite Direction, Suspense, Profound Subject Matter and It Rocks!
In the numbing hands of pretentious filmmakers Joel and Ethan Coen, history does not repeat itself in any way whatsoever.
F For Fake is a talentless concoction of unparalleled ineptitude. . . It would have been a more generous gesture to show a retrospective of old Welles films rather than remind everyone of how low his ability as a filmmaker has plummeted.
I was born in 1929, that was the depression, so the golf course was manned by my father and two guys, they worked for my dad and they took me with them everywhere they went. And it was fun.
I think that the proposed constitution is one of the European legal documents with the strongest social dimension I have seen since I began following European issues.
But while capitalism may be a convenient scapegoat, it did not cause any of these problems. Indeed, whatever one wishes to call the unruly mixture of freedom and government controls that made up our economic and political system during the last three decades, one cannot call it capitalism.
If you are low income in the United States, you have a higher chance of going to jail than getting a 4-year degree.