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I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.

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Jonathan Franzen

I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.