I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
The beauty of the world, which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.