So roar be fearless, and go chase those dreams.
I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
When you hit a wall – of your own imagined limitations – just kick it in.
Love is the only disease that makes you feel better.
The fantastic thing about the theatre is that it can make something be seen that's invisible, and that's where my interest in theatre is- that you can be watching this thing happening with actors and costumes and light and set and language, and even plot, and something emerges from beyond that, and that's the image part that I'm looking for, that sort of added dimension.
When you're looking for someone, you're looking for some aspect of yourself, even if you don't know it. . . What we're searching for is what we lack.
There seems to be no end to the senseless wickedness done on this little planet in a minor solar system, and we puny mortals appear to be decreasing in importance so far as the universe is concerned.
The Fat Girl Code of Conduct: 1. Any sexual activity is a secret. No public displays of affection. 2. Don’t discuss your weight with him. 3. Go further than skinny girls. If you can’t sell him on your body, you’d better overcompensate with sexual perks. 4. Never, ever, ever, ever, ever push the relationship thing.
Clever people can copy the handwriting of an artist - it's like forging a person's signature.
An actor is supposed to be a sensitive instrument.