I believe the novella is the perfect form of prose fiction.
I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
The trouble with New Age music is that there's no evil in it.
The point about working is not to produce great stuff all the time, but to remain ready for when you can.
I'd rather hold one note for an hour and modulate it so that it means something than play 3,000 notes in 15 seconds.
They call him the Streak, he likes to turn the other cheek. He's always making the news, wearing just his tennis shoes.
We once installed a $1. 49 trap in a woman's toilet and she never had ghost problems again.
I'm still uncertain about the language declaration syntax.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of. . . I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.