I think, The world is actually huge. That's the part no one can really explain.
I saw Chekhov a number of times in English, and I thought that it translates very well in English, for some reason, from the Russian to the English.
To be "here and now," in principle, is just for once. And then you have to repeat that.
I was raised and I was going to school in the suburbs of Paris. And so we, I didn't really go to the riots, to the barricade. I was too young, actually. Rather young.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.
Like an animal, cancer sleeps, prowls, hibernates, turns surly or placid.
The sanserif only seems to be the simpler script. It is a form that was violently reduced for little children. For adults it is more difficult to read than serifed roman type, whose serifs were never meant to be ornamental.
History will eventually depict as legitimate the efforts of the Iraqi resistance to destabilise and defeat the American occupation forces and their imposed Iraqi collaborationist government.
All we have to do is to receive what we are given. . . We are given the naturalness to love someone, to be calm in crisis, to ignore self-defeating suggestions, to be pleasant, forgiving, tender, helpful, unworried, brave, energetic.