Always tell the truth - it's the easiest thing to remember.
There is no such thing as a stationary tradition. Traditions are always developing, living things.
Christ's work is a kind of deterrent to us, and a way of upholding the justice of God's divine government of the world.
I'm sometimes asked about my productivity, which I find a bit embarrassing to be honest. I don't really have a particularly interesting answer to this question.
[ Jonathan] Edwards is one of my heroes. I've learned much from him over the years.
I do think that I have been fortunate to make friendships with other scholars, and form reading groups where ideas are exchanged and papers are read. That is a real boon, and it is something I think every scholar or writer can benefit from.
[Jonathan] Edwards definitely shows up in the book [Saving Calvinism]. He appears as one of the interlocutors in the chapter on free will, the other being the Southern Presbyterian theologian John Girardeau.
From the right, you get demagogues shouting about brown-skinned anchor babies and clamoring to deport the undocumented. From the left, you get advocacy for the oppressed but otherwise, when it comes to national civic identity, mainly silence.
It is said that Windham, when he came to the end of a speech, often found himself so perplexed by his own subtlety that he hardly knew which way he was going to give his vote. This is a good illustration of the fallaciousness of reasoning, and of the uncertainties which attend its practical application.
People have asked me throughout the years which directors have influenced me. I don't know their names, because I was mostly influenced when I'd see a film and think, "Man, I want to be sure to never do anything like that. " So I never learned their names. It wasn't a matter of copying or emulating somebody I admired. It was getting rid of a lot of stuff.
I want my records to be the most magnificent and glorious-sounding records, but also want them to be the most intense and fragile. And I want that all in the same ten-second bit of music. And it just takes a while to get there, and I don't write the songs and then go and record them, I write in the studio. So it takes a while to kind of piece them together and know that that's what I want it to be like. And I constantly throw the bits up in the air and see how they land, and eventually they kind of keep landing in the same place and that's where it stays.