You try for a little happiness, and what do you get? A few memories and a fat stomach!
In what we think of as bad dialogue, the characters talk directly to each other.
But novels are never about what they are about; that is, there is always deeper, or more general, significance. The author may not be aware of this till she is pretty far along with it. A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
Women have the feeling that since they didn't make the rules, the rules have nothing to do with them.
. . . is this not in fact the purpose of young Americans going abroad? To make them think of things they never thought of?
Not having to own a car has made me realize what a waste of time the automobile is.
Any essayist setting out on a frail apparatus of notings and jottings is a brave person.
One charming characteristic of many flank attacks I could mention is that they do not very often lead to simplification: if the attack is parried, there usually are still opportunities left for initiating action in another sector.
If we do our deficit spending on weapons, at least we get weapons. Then if we need weapons, we have them. If we don't need them, no harm is done.
Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.
She blinded me with science and failed me in geometry.