Today I will multiply my value a hundredfold.
I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.
Romeo Must Die came at the right time. It was the right vehicle for me.
I don't feel I made any sacrifices at all. I'm doing my best to juggle.
I'm a total performer.
It's Friday and I'm ready to swing. Pick up my girls and hit the party scene.
It's been so long and I'm lost without you, what am I gonna do? I been needin' you, wantin' you, wonderin' if you're the same and who's been with you. Is your heart still mine? I wanna cry sometimes. . . I miss you.
When you're with the nWo, when you're with Hollywood, you're just. . . too. . . sweet!
Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it.
The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus. . . . By all accounts there is no single and intercultural universal concept defining what music might be
I am not an educated person. I didn't come up through a ballet company. I came up through burlesque. So I have a lot of inferiority feelings concerning my own lack of education, my entry into show business. I'm not a Baryshnikov. I'm not a Nureyev. I came up in vaudeville. Strippers. So I've always had these feelings. But I think they've also helped me.