To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.
If you don't have something that glues the audience to the screen, you're in trouble.
I once said that effort is between you, and you, and nobody else. The same can be true between and individual and their camera. What you're shooting is between you and you and nobody else. Outcomes are for the audience. The action is yours alone.
The family of God is the choir, and God is their audience.
The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.
I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
I make American films for American audiences and Asian films for Asian audiences.
I love making movies, but there's nothing like being in front of an audience.
Stage is about imperfections and working with them, whether it be from you or the audience.
[Doogal] wasn't even animated. It was still and the audience had to move.
It's a pleasure playing your big hit records and it's a real joy to see the audience.
Not to have an audience is a kind of death.
The audience is astonishingly friendly and tolerant of even the slightest dab, but is limited in its willingness to look either deeply or at length.
I loved the idea of touching base with an audience.
I've always been better at informing the audience through images than through words, but I took on a script that was so dialogue-intensive, that the words had to do all the informing.
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something. " It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
If I say a joke and the audience laughs it makes me feel good.
I'm so critical of my own work that it's difficult for me to disassociate myself and watch it as an audience.
There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
The audience went from hating me to loving me to hating me to loving me. They probably would have f - ed me then rewarded me, f - ed me then rewarded me.