What I really want is a commercial hit. If youre in a hit, youre suddenly a star, whether you acted well or not.
Morals consist of political morals, commercial morals, ecclesiastical morals, and morals.
Color was the palette of commercial photography and snapshot photography.
That's what I hate about the war on drugs. All day long we see those commercials: "Here's your brain, here's your brain on drugs", "Just Say No", "Why do you think they call it dope?". . . And then the next commercial is [singing] "This Bud's for yooouuuu. " C'mon, everybody, let's be hypocritical bastards. It's okay to drink your drug. We meant those other drugs. Those untaxed drugs. Those are the ones that are bad for you.
I have a very commercial appetite. I don't like to do high-brow things.
My first acting job was a Breck commercial.
If you review the commercial history, you will discover anyone who controls oriental trade will get hold of global wealth.
Commercial conquest is far more thorough and final than military defeat.
Supreme Court says pornography is anything without artistic merit that causes sexual thoughts, that's their definition, essentially. No artistic merit, causes sexual thoughts. Hmm. . . Sounds like. . . every commercial on television, doesn't it? You know, when I see those two twins on that Doublemint commercial? I'm not thinking of gum. I am thinking of chewing, so maybe that's the connection they're trying to make.
I really love Miami, but I don't think the architecture matches the city. It's a bit too commercial.
Happiness doesn't come from commercial success but from the quality of work that you give back to your immediate community.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.
I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.
The problem is, with a lot of children's films, they are very commercial.
The Shuttle is to space flight what Lindbergh was to commercial aviation.
At the foot of the mountain, the park ended and suddenly all was squalor again. I was once more struck by this strange compartmentalization that goes on in America -- a belief that no commercial activities must be allowed inside the park, but permitting unrestrained development outside, even though the landscape there may be just as outstanding. America has never quite grasped that you can live in a place without making it ugly, that beauty doesn't have to be confined behind fences, as if a national park were a sort of zoo for nature.
I don't really produce so-called commercial pop music so I haven't changed so much. I've been on the one path always.
The wireless music box has no imaginable commercial value. Who would pay for a message sent to nobody in particular?
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
I was always afraid of things that worked the first time. Long experience proved that there were great drawbacks found generally before they could be got commercial; but here was something there was no doubt of.