I love rock and roll. Sometimes I feel like I was born in the wrong decade because I love Led Zeppelin and Jimi Hendrix and. . . those are my bands.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze. ' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar. '
Move over Rover, and let Jimi take over.
I've been blessed. I grew up and played and worked and created with the Freddie Mercury, the Jimi Hendrix, the Keith Richards, the John Paul Jones of my generation
Lauryn Hill, P-Funk, Marvin Gaye, Public Enemy - I have a very diverse palate for music. I can go from Judy Garland to Jimi Hendrix to Stevie Wonder to Rachmaninoff. I just love great music.
Jimi Hendrix is very important. He's my idol. He sort of epitomizes, from his presentation on stage, the whole works of a rock star. There's no way you can compare him. You either have the magic or you don't. There's no way you can work up to it. There's nobody who can take his place.
Nobody could understand why a guy would love his guitar, then all of a sudden turn around and try to destroy it. Jimi was just different.
I would love to play Jimi Hendrix.
I wanted to be Jimi Hendrix's drummer when I was in high school, but I graduated in 1970, the year he died.
But then there was Hendrix, man. Jimi was really the last cat to freak me. Jimi was playing all the stuff I had in my head. I couldn't believe it, when I first heard him. Man, no one can ever do what he did with a guitar. No one can ever take his place.
I just chased bands all over the country. The biggest one I saw was Jimi Hendrix.
I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to. ” - Jimi Hendrix, “The dead cannot cry out for justice. It is a duty of the living to do so for them.
If I could hang out with Jimi Hendrix, it wouldn't be over dinner.
Jimi. . . He was the gov'nor and that's it. He was brilliant, wasn't he?
The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one. A responsible designer might try to overcome this limitation - probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
I wanted to be the greatest woman guitarist alive. I had fantasies about being a female Jimi Hendrix.
Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.
When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.
About Jimi Hendrix - although his playing is at an uber-level, his voice is quite lo-fi and normal, like a regular person singing in the shower, and this makes his music much better than if he was just a technical player and singer.