Remakes, in general, are a result of necessity being the mother of invention. They can't open movies consistently and break through the advertising clutter that's out there.
There`s always the trick with anything what`s a remake. Like how much do you want to make that is brand new and how much to you want to keep that is original?
We can remake the world daily.
I always say that you should remake flops, not hits.
I'm not much on sequels; I'm not much on remakes for the most part. I don't really like or dislike them.
It's not a master plan to do every remake and every recreation of icons. It's just what I've been hired to do.
Certain remakes are great. Carpenter's The Thing is better than the original.
Walking this road without you to remake forgotten promises
I don't write any kind of sequel or remake.
I used to be like "Why are we doing a remake? What are remakes being done for?" But then, we do that all the time in the theater. Retelling stories is what we've done since we were sitting around campfires. It's a part of the human spirit. It doesn't have to be negative to creativity. It can be completely opposite.
Most spiders eat and remake their webs every night.
I don't know why you'd spend any of your time trying to remake something that you don't actually like.
I don't think it's sacrilegious to remake any movie, including a good or even great movie.
Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.
I'm inspired when I find out about something that I didn't know was a remake.
American Negro must remake his past in order to make his future.
Everybody's still in the 70s and 80s musically, still making remakes.
I'm dissatisfied with every record the Beatles ever f***ing made. There ain't one of them I wouldn't remake.
You know you've been around when they start to remake your own movies when you're still alive.
If a remake is not good, no one wants to see it and, again, it doesn't hurt the original.