I saw a commercial for the maxi pads for the bigger gals they're making now. That was a nice visual while I was eating.
It takes me a long time to change. I don't think you can just go out and figure out a bunch of visual ideas and photograph. The change happens in living and not through thinking.
I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to be working with that.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
Typography at its best is a visual form of language linking timelessness and time.
Visual pollution is more poisonous than any other pollution because it kills the soul.
If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move.
You must have a visual sense if you want to be a photographer. It is a very subtle thing, this visual business.
If I don't see a music video to it while writing it, I just scrap it immediately. It's very visual.
Our problem is that sound is not important in our culture. We know the world from the visual, not from the other senses. I had to be taught other ways of understanding.
I think certainly directing is a visual medium, but it's also about communication, and a lot of times great directors are lacking in communication skills, which is rather shocking to discover that.
We believe that the all-new ES 350 epitomizes Lexus' new design direction. Every element of this vehicle invites participation -- both visual and tactile. Its design is something drivers will need to experience and not just observe.
Without claiming superiority of intellectual over visual understanding, one is nevertheless bound to admit that the cinema allowsa number of æsthetic-intellectual means of perception to remain unexercised which cannot but lead to a weakening of judgment.
I know that I've played a lot of comedic roles. It's a visual medium. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully.
Psychotic hallucinations, whether they are visual or vocal, they address you. They accuse you. They seduce you. They humiliate you. They jeer at you. You interact with them.
Visual cortex is fundamentally a machine whose job is to generate a model of the world.
It's interesting vocalizing something that is visual.
Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.